
"I planted, Apollos watered, but God caused the growth. Therefore, neither the one who plants nor the one who waters is anything, but only God who causes growth." -1 Corinthians 3:1-9
Sunday, February 27, 2011
The Distance

Tuesday, February 1, 2011
PI Day 23 -Sights and Sounds: Angelus in the Mall
Thursday, January 20, 2011
PI Day 35 -These Dreams Are Real
I’d sit in front of my house and watch the willow branches float in the breeze while the creek water flowed by. My young spirit knew the gravity of my surroundings, felt gratitude for them and recognized there was more to them than cells, bark, leaves, oxygen, hydrogen, etc.
Books about the saints were some of my favorites because they always revealed how the supernatural could connect to and manifest itself in human life.
In my teen years, I began to experience paralyzing shocks of electric energy through and around my body. Not knowing what they were, I grew to fear them thinking that some evil was trying to hurt me.
Good or bad, God, spirits, angels, saints, ancestors, nature, miracles –they have all been a part of my everyday life. They have always been there: around me, pushing me, pulling, me, watching me, guiding me, allowing me to be free. I’d prayed to them, talked to them, confided in them, ignored them but I’d never encountered them in the flesh except for those precious moments in the Mass.
That changed with my visit to a Maguindanao community in Cotabato City, our first stop of the Tribal Tour. During our stay there, I experienced the supernatural with a force and a light I had never felt before.
~
In Cotabato City, we would partake in the Ipat every night of our stay. It is a traditional healing and cleansing ritual of the Maguindanao tribe. Ipat is translated to "to take care,” and it was an ideal beginning to our journey through Mindanao. The Ipat, similar to a retreat in my experience, was an opportunity for us to cleanse ourselves and free our minds of the weight of everything in our lives in order to re-approach the good and the challenges in our lives and begin again.
Traditionally, royal Ipats are 14 days. Ours was much shorter but no less powerful. On our first day, we learned what might happen during the Ipat. The shaman, Kaka/Bapa Maugan would surely be taken over by a spirit and we were not to be afraid. He would be an important mediator between the ancestors and ourselves. Any one of us, if we were open portals, could also be taken and we were directed to try not to fight the energy that would move through our bodies. We would receive help if necessary.
My nerves tingled with both fear and excitement -excitement at the prospect of coming face to face with the ancestors and with other spirits, but fear with the possibility of being taken. I could only think, “What if I were faced with a spirit that wanted to hurt me? What if a spirit took me so hard I couldn’t come back?” Those fears were all I’d ever been led to think of when it came to the manifestation of the supernatural. In Cotabato, though, I was continuously forced to face those fears and learned of the expansiveness of the possibilities that God was showing me.
~
That evening, we walked to the home of the datu (chieftan) hosting the Ipat, passing by the river through the poor bahay cubo in Barangay Tamontaka. The only light came from the young men’s flashlights and the full, glowing moon. It was eerie but beautiful and I could feel my stomach churning.

The traditional flags and decor marking the Ipat had transformed the small home. We walked in greeted by the curious faces of young people and the firm, handsome faces of Kaka Maugun and his right hand and adopted son Abraham. Maugun smoked a cigarette while unabashedly assessing us. I felt see through. Later during our visit, Abraham would tell us that he could smell that something special was going to happen as we were walking toward the house.


The small room where the whole family slept was where the alter, for lack of a better term, was set up. The walls were covered in colorful traditional cloths, the colorful boat of Bantugan (one of the first Magi ancestors) which served as one of the physical portals of the spirits hung from the ceiling, food offerings were set on the floor, houses of the male and female spirits stood filled with clothing, shields, swords, and scarves for them to wear upon arrival.

Ipat alter underneath the Boat

Offerings
We sat towards the back of the room, almost all of us hanging back in anticipation of the next 3-4 hours. After a while, the kulintang, the ancient tonal gongs began playing and Kaka Maugun began the ritual using amber as incense to cleanse and bless the space, all of us participating, and the boat itself. We had been told once the boat was swung, the spirits were called and would come with that first movement of invitation. He swung the boat, laid down underneath the boat while Abraham covered him in a sheer, jeweled scarf of yellow calling the water spirits.
As spirits took people, one by one, my skin burned with the blood rushing through my body as it happened. I was frightened but didn’t want to be. Soon, there was chanting in ancient Maguindanaon language and Abraham began talking with the female spirit that had manifested itself. It was a twin spirit who hadn't visited in a very long time. She rose and began dancing. She spoke to us (as translated by Abraham and our local guide Faisal) and was so happy to be here with us. Towards the end of the night she moved outside of the house and began dancing around the yard and the two bamboo poles that stood high and acted as another physical portal for the spirits. We watched her dance and I began to weep. My whole life had led up to this point. My study of history has become so much more than mere intellectual/academic pursuit and this meeting with the ancestors was more than I ever hoped to find, understand, or experience.
My mother's words rang in my head, "God created this just for you" and I cried with the truth of the words, the blessings and love that rained/reigned down. I watched the spirit dance. She grasped our hands, saying it was time for her to say goodbye, but she didn't leave because she didn’t want to go just yet. When we clasped hands in farewell, my nerves tingled on contact and the energy shot down my arms. This was one of my mothers. I was face to face with her. It was unreal. I sent messages of thanks and love to her and to God in my heart and spirit. Inside, I begged her to stay. We had just met, but she eventually left the physical world. With that, the first night of ipat ended -all of us exhausted by that first heavy encounter.
I couldn’t sleep thinking of all the times I had encountered spirits in my life, all the fear that I felt at their coming, the images of people taken that night, the transformations that happened. I was still afraid despite the blessing I had encountered. The people in the group were unbelievably supportive and stood by me every step of the journey. They, along with the rest of the community and the spirits themselves taught me not to be afraid.
~
As we walked through the knee high waters of high tide the next night, I felt the same mixture of fearful and excited anticipation as we walked to the house. The moon was pulling the water close to us just as it was pulling the spirits of the ancient boat closer to us. The water moved briskly and pulled water lilies down stream as we carefully navigated through mud and water. I prayed to God and the spirits; told them, half forcing the thoughts into the universe that I wanted this. I did, I really did, I was just so scared of the manifestations. In some ways it's like the fear of fully loving, the fear of being completely taken over by the other and losing self. How do you let go, love, and remain true to self in a healthy way? A question we've all faced.
The ritual began again, the kulintang, amber, and boat opening the portal. This time Maugun was covered in red for the earth/air spirits. The ancient chanting began and another female spirit was manifested. She danced. It seemed like a celebration. She came to each one of us, touched us, asking us to dance. She pulled me to my feet. I didn't know what to do, how to dance. I was too conscious. I couldn't tell if I was being taken but she wanted me to rise and dance with her and the others.
I closed my eyes and started moving. I let my rushing thoughts fall away and closed my eyes to shut my self-consciousness out. My head felt heavy, my body swayed fluidly with a weight that wasn't all my own. An energy different than any of the electricity I've ever felt before rushed through my limbs and forced me to dance. Eyes closed, I felt the female spirit hand me two scarves to dance with. I swayed and moved in a way that was my own but with a physical rigorousness I've never ever felt. The energy rushed and rushed and rushed and I recognized my true self in the expansive burst that brought together all of the smaller, disconnected sensations I've ever fleetingly felt.
Slowly, I opened my eyes and realized I was myself. I was conscious, but my movements were still being influenced by whatever had come into me. I tried to balance my consciousness with the spirit so that I wouldn't completely snap out of the trance that I was experiencing. I watched for others while I danced. Two friends were experiencing pain. I directed my energies and my dancing towards them. One was on the floor crying. My arms moved towards my friend moving with the chant in my head: “take away the pain, give it to me, take it away.” As I motioned towards my friend, tried to pull away the negative energy, and prayed for peace, I felt a burning ball rush into my body through my feet and upwards to my abdomen. The ball of pain/energy settled and contracted in my stomach as I pulled more and more energy from her and into myself. It raged.
My other friend was crying and stiff. I tried to pull negative energy from them but realized I couldn't. It wasn't letting me or it was more than I could hold/handle/take on. Similar to my tendency in life to take on too much of others' burdens I was being told that this one wasn't for me to carry. Instead of taking I sent what energy and love that I could in my thoughts and my movements. Eventually, the spirit motioned for us to sit. They would be leaving. She left with the same farewell as the spirit from the previous evening, hands clasped in between one another's -her hand, my hand, her hand, my hand. Everyone had been taken. The ritual closed.We were spent and crumpled against the walls of the room and stared off or at one another in exhaustion.
That night, something had changed. Before that, people from our group and folks from the community had eyed each other curiously, them more guardedly, we more self consciously. We formed a bond that evening and looked at each other differently after that. Though we still had trouble communicating verbally, we exchanged smiles and loving gazes with more understanding than before.


~
During the last night I was a little more ready but still anxious. As we waded through water again, I prayed my Hail Mary's and told the spirits that I wanted this. I wanted to be able to share my gratitude and my joy with the spirits and with God. My life and my joy was a testament to all of the challenges and heartbreak I'd been through and I wanted to celebrate them in this space with my ancestors. They were my reason for being here.
The ritual began again and I was mesmerized as a female spirit was manifested. As the female spirit chanted to us, people around me started trancing out. I closed my eyes and felt the kulintang move me. Tita Alleluia had said that for everybody, it's the sound of the kulintang that causes our spirits to become open. Before this, I had never fully understood the kulintang. Seems like I never really heard it until Cotabato. The sacredness coursed through my body. My head fell back with the weight of the music and I started to sway while my consciousness become cloudy. I grabbed my friend's hand as a warning and began to sway and shook convulsively. One of the shamans directed people around me to assist. I felt friends rubbing my arms, hands, legs, and feet trying to soothe the energy through and out of me. They let me lay down as I continued to shake and convulse. I arched off the ground and gulped air in ecstasy as friends continued to help. I fought to move and to free myself and kept moving. I don't know how long it was until I came back but little by little I was able to control my own movements, blinked my eyes and began to sit up. Alleluia gave me a huge hug and a kiss as I came back to life, as if she was proud of me and my ability to be open, unafraid, and to let it take me completely.
As I watched others come and go I listened to the music and cherished it. Soon, I felt myself being taken again, in tune with the music. I grabbed Alleluia's malong to let her know. Onlookers who had been taking care of us and watching, particularly some of the younger men were alarmed when they noticed my eyes dropping and my body swaying again. The Ipats were communal like that, everybody watching out for who would be taken so that nobody would get hurt by the sudden movements of spirits flowing in and out. As I saw the look of concern in their eyes as I began to go, I simply smiled to let them know it was okay.
As I shook, convulsed and swayed I watched the spirit and directed all my energy towards her and God letting them know how much I loved them, thanking for them for the opportunity to show my gratitude for my life and all the people in it. There have been so many times where I wanted to get down on my knees and bow to the floor at the alter in Church out of gratitude and surrender to all I've been given, both the good and bad. I had been given my chance to lay prostrate before the universe that evening.
In Like Water for Chocolate, the character John Brown says, "If a strong emotion suddenly lights the candles we carry inside ourselves, it creates a brightness that shines far beyond our normal vision and then a splendid tunnel appears that shows us the way that we forgot when we were born and calls us to recover our lost divine origin. The soul longs to return to the place it came from..." While there were no tunnels or candles for me, my soul was for certain reconnecting with its origins.
~

On our last walk to the Ipat grounds
The next day was the closing of the Ipat where we would send off the spirit with offerings on two boats. We woke around 5am. There were many ceremonial rituals and formalities that had to be performed -many of which were done underneath the hot sun in formal Maguindanao costume. Initially, I slumped with the discomfort. But as we practiced the ceremonies, I was reminded of the repetitiveness that many people complain of during Mass, the boredom and disconnection that they feel. Similar to the Mass, these were all preparations for the supernatural encounters we were so blessed to experience. I straightened and changed my attitude towards the ceremonies, making an effort to give them their proper austerity.
Kulintang Music During Ipat Ceremony


After performing Baptismal ceremonies for the community, it was time to call back the spirits so that we could say good bye to them, send them off, and formally close the Ipat. Kaka Maugun swung the boat to call the spirits one last time. The male spirit that came danced with strength and grace. With the beginning of the kulintang, I swayed as the male spirit performed last rites outside. When we returned to the alter, I stayed as conscious as possible in order to participate in the closing ceremonies. The boys who watched looked over and I simply smiled again letting know I was fine and they smiled back. I love those kids.
Though I began breathing heavily and shaking, I was able to rise when we were all called to place our hands on the boat and swung it 14 times. We placed all our intentions and pains on the boat and sent them off.

Prepping the babies for their Baptism
All too soon, it was time for the spirits to finally say goodbye. The song he chanted was the most beautiful I'd ever heard -a sweet good bye chant that you could feel in your soul. One of the shamans translated for us. The spirit was saying goodbye and that it was time for him to leave. Of course, I cried. I tried to hold it in tight as he told us that he had enjoyed himself with us -this good bye was the saddest he had felt in the longest time. Individually, we sat in front of him and clasped hands with him as our final farewell. When it was my turn, I sat and our hands touched. He swayed his head and body with the sadness he felt. As I heard his words, I began sobbing uncontrollably and bowed my head over our joined hands. It was as if I was a child hysterical with the thought of not seeing a parent again when they have to go away for a little while. He was crying too and continued singing with his head close to mine. Many people were watching me fall apart and I tried to pull myself together. When I began to pull my hands away so the next person could go, he increased the pressure on my hands so that I couldn't leave just yet. We sat and swayed together like that for a long time as I tried to control my sobs and he continued to sing. We finally let go of one another and I moved away with my scarf covering my face as my sobs eventually subsided.
Tita Alleluia was last to say goodbye. He wouldn't let go of her either and bowed low over her head, maybe thanking her for bringing us here. They both cried. Even the men behind Maugun, the other shamans cried with our sorrowful goodbyes. It had been a joyful Ipat. Finally, he told us that he didn't know if he would ever see us again, or how long it would be til we could all be together and kept repeating how painful this was for him. We would see one another in our dreams, though and he reminded us that we all came from the same God. As he said goodbye for the last time, my heart and spirit again begged him not to leave, but of course he had to. He laid down to let go and as the kulintang rang one last time, his spirit left us. The energy in the room died quickly and stilled with his departure.
~
In those few days, my life had changed. God had given me everything I had ever searched for, everything that I had ever consciously and subconsciously loved at my core, in order to guide my steps forward. I had peeked in on those spirits working, smiling, and watching. I was given back my willows, the wind, and the water.
Everyday since then I’ve thought about the Ipat in Tomontanka. When I find myself missing Cotabato, my family, myself, I think of the Mothers and Fathers who lovingly showed themselves to us to offer protection and to be protected. Then, I drift off to sleep hoping to see them in my dreams, just like he said.

Tuesday, October 5, 2010
Mourning and Hope
September was an intense month -shootings and suicides all over the country! What pain people are in –such young souls! Why does this happen? Why do young folks take their own lives? New York and Rhode Island, and Texas? How can people bully peers so viciously, without care of the consequences? How can four people, including a toddler be shot to death in Boston?
Sometimes, it makes me feel scared and almost hopeless for the world we live in, but we have to have faith that Love is on its way. As I drove down to New York, listening to Blues for the Horn by K'Naan and Love, On Its Way, by Corrine Bailey Rae, and thinking about all that had happened in the past few weeks, I was reminded in a powerful way, that despite all of the pain and ugliness of the world, we have to be the ones to work towards bringing Love to life everyday. It’s never too late. It can’t be too late.
Oh Father,
I wish I had understanding.
Never known more
Never been so well informed
We know the score
Heard it all before,
But I've never felt more powerless
There's so much blood on the streets
So much hope refused
So much grainy teenage photographs on the evening news
Oo, when everywhere's violence
Silently I go
Love's on its way
I hope it won't be too late
When the day comes
And I've counted all my sins
How many I'll see
I want to be able to say that I did more, more than pray
I did more
Than just spend my money
Just writing letters
Than just going out marching
I did more than talking and saying the right thing
Wearing the right thing
It's time for an uprising
Love's on its way
Hope it won't be too late
Love's on its way
Love's on its way
Love's on its way
Hope it won't be too late






